Harvey Thomas Dunn 1884-1952

Dunn was born on a homestead farm near Manchester, South Dakota. The young man’s talent was first recognized by Ada Caldwell, an art instructor at South Dakota Agricultural College (presently South Dakota State University), which Dunn attended during 1901-1902. Urged by Caldwell, Dunn pursued his artistic studies in Wilmington, Delaware under the instruction of Howard Pyle. Dunn was one of a small group of Pyle's defining students who were to revolutionize the illustration world and today are collectively known as the Brandywine School.

In 1906, after two years with Pyle, Dunn established his own studio in Wilmington and immediately began a successful career in illustration. He was a prodigious painter, able to produce (on one occasion) fifty-five completed paintings in eleven weeks for various clients. A contemporary described his style in these terms, “He literally attacked a canvas and sometimes I thought he would impale the painting with his brush.” In addition to his illustrations for books, Dunn’s work by then was appearing regularly in such magazines as Collier's Weekly, Harper's Magazine, The Saturday Evening Post, and Scribner's.

In 1914, Dunn moved east and settled in Leonia, New Jersey, across the Hudson River from Manhattan and its publishing world. Inspired by Pyle's example, Dunn opened the Leonia School of Illustration in 1915 with artist Charles S. Chapman. The South Dakota Art Museum in Brookings, South Dakota, houses approximately 110 of Dunn's best works.

Later in life Dunn remarked: “The most fruitful and worthwhile thing I have ever done has been to teach.” Dunn became an influential and revered teacher; students referred to him as “Mr. Dunn” as a sign of respect and admiration. The majority of Dunn’s students were either graduate level painters or professional illustrators. Dunn was not interested in teaching painting techniques. His approach was philosophically oriented—he spoke about spirit, emotions, and discourse at length. He discussed his philosophy of life and art, offered group criticism, and strode from easel to easel discussing each student’s work in turn.

Dunn’s most inspired teaching was probably achieved at the Grand Central School of Art, which was established by the Grand Central Art Galleries and located on the top floor of Grand Central Terminal in New York City. His comments were captured by a student during a five-hour class session and were published in 1934 in a slim volume titled An Evening in the Classroom. Dunn was a demanding teacher and at times a harsh critic. He believed in preparing his students for the harsh realities and intense competition of the commercial world. Talent was not enough. As he once said, “If you ever amount to anything at all, it will be because you are true to that deep desire or ideal which made you seek artistic expression in pictures.” Among his students was the cowboy and western painter Arthur Roy Mitchell, who invited his mentor many times to come paint in Mitchell's hometown of Trinidad, Colorado.

In 1945 Dunn was named a member of the National Academy of Design. He died in New York at the age of 68. He remained one of A.R. Mitchell's closest friends his entire life.